Articles/Book Chapters
“Counterfaiths: Religious Visual Culture and Jean Rhys’s Wide Sargasso Sea”
Modernism/modernity Print Plus Volume 9, Cycle 2, 2025
“Methodological Pluralism and the Cause of Progress. A Review Essay of Jesse Wolfe’s Love, Friendship, and Narrative Form After Bloomsbury”
Journal of Modern Literature (JML) 48.4, 2025
“‘Now I am become Death, the destroyer of worlds’: Sovereignty, Imperialism, and Neon Genesis Evangelion”
In Anime, Religion, and Theology, eds. Roberto Jose De La Noval and David Armstrong, Bloomsbury Academic/Fortress Press, 2025
“Denaturing and Renaturing: Samuel Beckett’s Reception in Martin McDonagh’s Cinema”
In Beckett and Nature, eds. James Martell, Eleanor Green, and Charlie Clements, Bloomsbury Academic, 2025
“Toomer, Marshall, and the Il/Legibility of Black Pain”
Modernism/modernity Print Plus Volume 7, Cycle 3, 2023
“Teach Us to Care”
Contribution to “A Forum on Christian Poetics.” Christianity & Literature 71.4, 2022
“The Secularizing Work of the Novel: Modernist Form and Ian McEwan’s Saturday”
Journal of Modern Literature (JML) 46.1, 2022
“Ecology without Civilization: Traumatic Restoration in VanderMeer’s Southern Reach Trilogy”
English Language Notes (ELN) 59.2, 2021
“Beckett, Atwood, and Postapocalyptic Tragicomedy”
NOVEL: A Forum on Fiction 54.1, 2021
“Christian Poetics and Criticism in a Secularized Academy”
Among Winter Cranes: The Quarterly Journal of the Christian Poetics Initiative 2.2, 2019
“‘along a road that may lead nowhere’: J. M. Coetzee’s Disgrace and the Postsecular Novel”
Studies in the Novel 49.1, 2017
“From ‘spiritual paralysis’ to ‘spiritual liberation’: Joyce’s Immanent ‘Grace’”
In Rethinking Joyce’s Dubliners, eds. Claire Culleton and Ellen Scheible, Palgrave Press, 2017
“Is the Body an Immanent Domain? On Postsecular Affects”
Thinking about Affect in Culture and Art, Special issue of 452ºF. Journal of Literary Theory and Comparative Literature, 2016
“What the Thunder Said: A Portrait of the Artist as a Trans-Secular Event”
Literature and Theology 28.4, 2014
“Transcendence and the End of Modernist Aesthetics: David Jones’s In Parenthesis”
Renascence 65.2, 2013